December 23, 2008
This is an anniversary date. Twenty-seven years ago today I had a near death experience. I've written about it before, but I've danced around in the glittering details, and detoured its core meaning.
And tonight I opened THE COMPLETE IDIOT'S GUIDE TO GREAT QUOTES FOR ALL OCCASIONS, edited by Elaine Bernstein Partnow to lines from a poem,
Renascence, by Edna St. Vincent Millay, dated 1907.
The soul can split the sky in twoAnd let the face of God shine through. I let those lines play over and over as if I'm listening to those words, words which illuminate a defining experience in my life.
Before, I was wild, driven, and cut off from who I really was. The Near Death Experience cracked my world in two, and I did see the face of God.
It was 2:50pm December 23rd, 1981, in the year I'd married a man I believed to be my soulmate -- we stayed together 22 years and had two sons. We were both in radio, partied hard, and sometimes I would still be loaded the next morning when I went on the air, having not slept much, if at all. He would say to me I sounded great, and what he meant was, relaxed. I wanted children, but didn't know where and when I would fit them in. I was taking the pill, and didn't really have time yet. I had a career to quickly climb.
It was two days before Christmas, and he took me to lunch at a nearby restaurant -- we had the usual, a drink or two, and were headed back to the radio station on Front. What was odd, was that for days I had had a sense of doom when in the little pickup, feeling an accident about to happen. Finally -- the day before -- I let go of the feeling. Just as we passed the intersection with Market, with virtually no warning, a truck, loaded with lumber hit the bed, inches from where I sat in the passenger seat. I didn't have a seatbelt on, since I'd been in a total six months earlier, and the seatbelt exacerbated my injuries, hurting my hip. In 1981, seatbelts weren't the hot political issue they were to become. I have worn a seatbelt every day since. But that day, the lumber truck, which, having lost its brakes in the tunnel, about twelve blocks away, up a hill, careened right into us. The driver was later praised for guiding his deadly missile away from vehicles all those blocks. But it was my destiny. He hit, and we spun, the little black pickup spun around and around, and I flew up and out of my body.
I was light, light as a feather. I was liberated. I flew lightly up and about, looking down to my left, where I saw my husband, about the size of a toy, shaking his fist to the skies. There was a metallic cord attaching us which was not severed in this adventure. It was perhaps this cord which tethered my soul to my body, ultimately. I was so happy! Light of heart. Joyous. I danced gently upward in a tunnel of light, seeing scenes from my life. Then, pausing, I was standing as if on a cloud, before a long wall of stone with a river below it. My grandmother was at the edge of the wall, and my grandfather to the right. I felt frustrated that the wall kept me from seeing heaven. My soul knew what was to come, that I would be going back, and it was too early for me to see that knowledge that the wall obscured. I laughed gently and accepted that information without judgment. It was no surprise to see my grandparents together -- although their deaths came thirty years apart, they were soulmates.
The night my grandmother died, about five years before this December afternoon, I was driving through Iowa to Indiana for a wedding, in a day before cell phones and answering machines. As I drove through that night, the sky in front of me was illuminated and my grandmother's face was there. Cheek to her cheek was my grandfather, and a circle of flames wreathed their faces. She said, "Like two fires foraging the space around us, we've swallowed the last detail." I remember it still. It wasn't until a few years ago that I read about Plato's Twin Flames, and realized that is the vision they sent me.
"What do you want to do," my grandmother asked. And I knew she had to ask --it was the rule. And I, as if reading from the same script, said, "I want to go back." As I said the words, pictures passed quickly, among them, of my children -- yet unborn.
Whereas I left my body gracefully and lightly and joyously, I landed back in my body with a thunk. I noticed first, that my wedding ring had been flung off in the impact. Then I went out of consciousness. When I came to again, I was in surgery, asking the doctor wielding the needle, if I would look like Frankenstein. I heard that I wouldn't -- despite 66-stitches on my forehead and scalp and broken nose -- and when I came to, I was back home. I was in and out of consciousness for about a month. I had been in a dance company before -- an African dance, choreographed in Katherine Dunham's technique -- but I had to relearn how to move my body. I couldn't observe the teacher and know what side of my body to move, for example.
The before and after was remarkable. What I had learned in those moments suspended between life and death and life,
gave me a life. I slowed down, quit drinking. I now see and hear in color. I see auras and sometimes other lifetimes. I am more open, and information comes in, predictions, if you will. It is now a joyous, trusting, incredibly honest and unrushed landscape within. The key is to
be that soul who took that ride into the skies. When I find that sweet spot, oh my God, it is powerful. It is the face of God.
Another quote in the book from WICKED by Gregory Maguire --
Oh, everything is gorgeous once it's gone.Ah! But what if you can bask in that gorgeous place...and then come back! That is a blessing and a gift. And, this Christmas, I will remember again, how fortunate I am to have been to that land of light, and to have come back with some of the light.
Labels: dance., Elaine Bernstein Partnow, Katherine Dunham technique, NDE, near death experience, THE COMPLETE IDIOT'S GUIDE TO GREAT QUOTES FOR ALL OCCASIONS, transcending the trauma, WICKED